As far as I have been able to research, the Bermudas were not inhabited by other people when the English settlers were shipwrecked there. However, there is very little direct evidence that this is true.
In your post, though, you saw Caliban as a symbol of colonial oppression over indigenous people as exerted by Europeans in general, and not just the Spanish.
We have almost 200 lists of words from topics as varied as types of butterflies, jackets, currencies, vegetables and knots! He is truly a child of nature, uneducated and reacting to his surroundings in much the same way that an animal does. I assumed that he was a corrupt creature only bent on taking back what is rightfully his. These punishments would be felt for years to come by their descendants.
Although most signs point to a small Mediterranean island as the setting of The Tempest, is it possible that we are also meant to read Caliban as an “Indian,” that is, someone from the New World? Like how Caliban’s name whether it means cannibal or human being, it has power over him and power over the way people view him. Near the beginning of the post you mentioned how one of Shakespeare’s sources of inspiration for The Tempest “that has begun gaining more attention recently is Peter Martyr d’Anghiera’s early compilation of New World accounts from the early days of colonization”. We, as a contemporary audience, can see that Caliban name is reflective of the indigenous people of the New World and of the Caribbean, but how does Shakespeare’s audience view Caliban’s name and character?
We can begin exploring the answers to this question by looking at Shakespeare’s sources.
From the collection of the Metropolitan Museum of Art.
All the latest wordy news, linguistic insights, offers and competitions every month. This was an in-depth, informative, and overall great post. From the collection of the Metropolitan Museum of Art.
September’s Words in the News explain all. We look at some of the ways in which the language is changing. Retamar seems to think that Shakespeare “confirms that both ways of considering the American… were perfectly reconcilable”, saying that Caliban’s existence and Gonzalo’s beliefs are compatible (15). One source that has begun gaining more attention recently is Peter Martyr d’Anghiera’s early compilation of New World accounts from the early days of colonization. The thing that surprised me the most is that Caliban’s name means “human being” in the Cariban languages. In Shakespeare's The Tempest, Caliban is the name of the deformed son of a witch: not the greatest literary reference for a child. When I read the first couple scenes, I was actually very lost as to who Caliban was as well. Indeed, another theory for why Island Caribs spoke both Iñeri and Carib is, according to Boucher, that “in historical times Island Caribs received constant infusions of Arawakan-speakers.
Instead, it referred to a specific people who lived in the Eastern Caribbean. Whether you're in search of a crossword puzzle, a detailed guide to tying knots, or tips on writing the perfect college essay, Harper Reference has you covered for all your study needs.
Your interpretation of Caliban’s name in relation to the word cannibal is quite telling of European tendencies to justify their wrongdoings. Just like the names Sycorax, Setebos, and Ariel, Caliban does not have a clear European origin. This could account for how the word took so many written forms. Read our series of blogs to find out more.
Whether or not this is true, it is important that Caliban’s name was given by his mother, not by Prospero. So, if the audience interprets Caliban as simply a monstrous “Indian,” then did Shakespeare also intend for the character to share that interpretation? I love the connection you found between the names of explorers and the names of characters in The Tempest. The Bard’s choice of names for nobles, such as Gonzalo or Ferdinand, seems to elicit the idea of such characters being representative of the Spaniards.
However if Shakespeare meant to portray Caliban as representing indigenous people, it is interesting how Caliban’s character spoke up against his original master Prospero as soon as he had the chance and convinced Stephano and Trinculo to kill Prospero. It is possible that Shakespeare may have named Caliban’s character similar to the word ‘cannibal’ or reminiscent of the Caribbean to make a political point. ‘The nights are fair drawing in’ is a trope about the weather that applies powerfully as you read this. Although Columbus never saw Caribs eating other people, this accusation is repeated several times in his journal, and is picked up in the accounts of other early European explorers. In Shakespearean Baby Names the meaning of the name Caliban is: The Tempest' A savage and deformed slave. Caliban was the central character in James Clouser's rock ballet Caliban, a 90-minute adaptation of The Tempest that was scored with live performances by St. Elmo's Fire. Of course, the only definition of this word that I was familiar with was the one that came after Columbus meaning a human who ate the flesh of another human. He is taught the language of this invader and is forced to be his slave.
The ambiguity of the word “cannibal” and its different forms is I believe what helps make Caliban such a multi-dimensional character.
Thus when Caliban, whose name is evidently made to degrade himself due to its relation with the word cannibal, was first introduced, I always saw him as a misunderstood character, who like many of the colonized populations that we have talked about, just wanted his freedom from slavery. Misconceptions and myths had created the European experience, fashioning their understanding of people from the East: uncivilized.
So we know that Shakespeare was reading Montaigne, and probably also reading Peter Martyr’s account of New World exploration.
Rousseau, Jean-Jacques. All Years From moonshoot to balconing: discover the latest words added to the Collins Dictionary. Or perhaps, he’s merely just slyly commentating on said generalization? I wouldn’t necessarily equate Caliban’s story to that of the Inca that Professor O’Toole told in lectures, because while both recognize the tragedies with conquest, O’Toole’s characterization and of the Inca do not invoke pity like Caliban does (in my view), but rather enlightens and disspells the popular desolation myth held by many to this day.
I started seeing parallels with the Inca and Caliban. Prospero has made Caliban his servant or, more accurately, his slave. Vaughan, Alden T. and Virginia Mason Vaughan. In a way it influenced me to feel more empathetic towards his character because of how we learned about how the indigenous people were being misrepresented/ stereotyped in the past. The Taino will be transformed into the paradisical inhabitant of a utopic world; by 1516 Thomas More will publish his Utopia, the similarities of which to the island of Cuba have been indicated, almost to the point of rapture, by Ezequiel Martínez Estrada. As Restall mentions in his book, Europeans often used religion as a means of deciding whether or not their ruling of indigenous peoples was justified. In the Kari`nja [or Kali`nja] language spoken by the Kalinago today, the word kari`na means “human being,” and Karinago means “the people.” However, the /r/ used to spell this language does not correspond to the same [r] sound we have. Are audiences supposed to pity the creature and his tragic fate or, instead, revere him as a foul monster deserving of all the torment that plagues him?
When he isn’t leading seminars in Humanities Core, he likes hiking, working on his science fiction novel, and digging through record shops.
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